Bibliography

This is a very short bibliography of publications arising from the project and works that have played a key role in the conceptual shaping of this research.

Project publications

Social relationships and cultural production

  • Anheier, Helmut K., and Jürgen Gerhards. 1991. ‘Literary Myths and Social Structure’. Social Forces 69 (3): 811–830.
  • Banks, Mark. 2007. The Politics of Cultural Work. Basingstoke: Palgrave Macmillan.
  • Bottero, Wendy, and Nick Crossley. 2011. ‘Worlds, Fields, and Networks: Becker, Bourdieu, and the Structures of Social Relations’. Cultural Sociology 5 (1): 99–119.
  • Bourdieu, Pierre. 1996 [1992]. The Rules of Art: Genesis and Structure of the Literary Field. Cambridge: Polity Press.
  • Crossley, Nick. 2008. ‘Pretty Connected: the Social Network of the Early UK Punk Movement’. Theory, Culture, and Society 25 (6): 89-116.
  • De Nooy, Wouter. 1999. ‘A Literary Playground: Literary Criticism and Balance Theory’. Poetics 26 (5-6): 385–404.
  • Giuffre, Katherine. 2009. ‘The Return of the Natives: Globalisation and Negative Ties’. Poetics 37 (4): 333–347.

Cultural value, especially in music

  • Appadurai, Arjun. 1986. ‘Introduction: Commodities and the Politics of Value’. In The Social Life of Things: Commodities in Cultural Perspective, edited by A. Appadurai: 3–63. Cambridge: Cambridge University Press.
  • Belfiore, Eleonora. 2012. ‘ “Defensive Instrumentalism” and the Legacy of New Labour’s Cultural Policies’. Cultural Trends 21 (2): 103-111.
  • Bourdieu, Pierre. 1993 [1980]. ‘The Production of Belief: Contribution to an Economy of Symbolic Goods’. In The Field of Cultural Production: Essays on Art and Literature, 74–111. Cambridge: Polity Press.
  • Craig, Ailsa, and Sébastien Dubois. 2010. ‘Between Art and Money: The Social Space of Public Readings in Contemporary Poetry Economies and Careers’. Poetics 38 (5): 441–460.
  • Elafros, Athena. 2013. ‘Greek Hip Hop: Local and Translocal Authentication in the Restricted Field of Production’. Poetics 41 (1): 75–95.
  • Lopes, Paul. 2000. ‘Pierre Bourdieu’s Fields of Cultural Production: a Case Study of Modern Jazz’. In Pierre Bourdieu: Fieldwork in Culture, edited by N. Brown and I. Szeman: 165-185. New York: Rowman and Littlefield.
  • Stokes, Martin. 2002. ‘Marx, Money, and Musicians’. In Music and Marx: Ideas, Practice, Politics, edited by Regula Burkhardt Qureshi: 139–66. New York: Routledge.
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