The second musical performance of the night was a beautiful live set from Tim Ingham of ambient shoegaze electronica band Winterlight. This followed a generative noise performance from Glitch Lich and a talk on club culture by Luis-Manuel Garcia. As you’ll see from 17:33 to 23:07, Tim used one of Anna’s data visualisations as a backing projection for one of his tracks, giving the audience an opportunity to reflect on the importance of social connections in music. Tim returned to the stage later in the night for the electronic music producers panel with Luis-Manuel Garcia, Chad McKinney (Glitch Lich), and Paul Lynch (Slackk).
The highlight of the live event we ran in London on 6 June this year was the panel discussion between grime producer Paul Lynch (Slackk), ambient producer Tim Ingham (Winterlight), generative noise musician Chad McKinney (Glitch Lich), and ethnomusicologist Luis-Manuel Garcia (click here for Luis’s fascinating talk on club culture, from earlier in the night). After the event wound up, we headed off to Boxed, Slackk’s regular clubnight in Dalston, headlined on that particular occasion by the incredible Spooky Bizzle.
In common with the other talks and performances of the night, the panel was video-recorded; scroll down for a transcript.
Also available from the Open University podcast site.
To remind you of what you experienced – or to taunt you with what you missed – here is a selection of photographs from the Valuing Electronic Music free public event, taken by Jake Davis of HungryVisuals. Wish you’d been there? We wish you’d been there too. Maybe next time!